That’s when you can really see their undertones. So gather the different color swatches of grays - or whatever color you’re auditioning - and put them next to each other. And if you’re just looking at one color, it’s hard to tell what the undertones are. There are some that look really blue, there are some that go more green and there are warm grays that start to go into a more taupe color and so on. Gray is a very popular color right now, but there are so many different shades. Sea Salt is much more beige, while Silver Marlin has more blue in it.īD: And how do you detect those undertones? It seems like such a mystery… So for light challenged rooms, I tend to go lighter and cleaner with more crisp colors that don’t have a lot of browns or grays in them that make them look muddy.Ībove, you can see how these four colors all look gray by themselves, but when compared to each other, their undertones are more evident. Those colors can look really pretty if you’ve got ample light, and they can look good on the outside of a house, but in a room that doesn’t get a lot of light, they tend to make it feel very dreary and cave-like. With rooms that don’t have a lot of lighting or windows, I advise people to avoid muddy colors, like forest green or deep plum. If you’ve got a space with really good natural lighting, you’ve got a lot more options. It really does depend on how much light is in the room. In the bedroom on the right where there are large windows, it’s much more yellow and light.īD: When it comes to selecting color, aren’t there other important factors to consider, such as how much light the room gets? Here, you can see that Benjamin Moore’s Jamesboro Gold looks much muddier and more gray in the entryway on the left. Paint colors can look very different depending on the room they’re in.
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